On Typography

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On Typography

by Viljami Salminen

I have been intrigued by the idea of making a typographic scale out of a musical scale that would not only be very readable, but also aesthetically pleasing.

This whole idea started after the launch of my new site. At first, I ignored to see it, but weeks later I started to notice that the textual content of the site is actually pretty harsh for the eyes and the reading experience isn’t that great. You can read it—I’m quite sure of that—but the longer you browse the content, the more your eyes start to hurt. Literally. One reason for this is the contrast between the text and the background, but there’s also more to it than just that, so I started wondering:

How could I improve it?

How to make building of responsive typography easier?

Can typography look good and be readable on so wide range of devices?

Are there any patterns where I could base my decisions on?

The foundation

At the time I were thinking about the subject, I had a Skype chat open with Joni Korpi and we were discussing about similar problems in Responsive Design. Later on the evening, when I had already went to sleep, Joni pasted me a link to 24 Ways article about Music, Harmony and Proportion in Web Design. The idea didn’t hit me instantly after I read it, but about a week or two later I was hooked and started studying how Musical Scales could help me to make the perfect Typographic Scale for the Web.

via On Typography · Viljami Salminen.

About Ivan Silva

An avid technophile with a somewhat unhealthy obsession for fat birds –especially penguins. Penguins represent nature’s rebels. They are creative, confident, witty, clever, original, charming, artistic, non-confirming, faithful and driven; the preceding are characteristics, which I possesses. As a self-dubbed media aficionado I believe that fusing todays technology with time-proven advertising ideals and methods allows a message to be delivered with both quality and effectiveness.